Bass / Club
Top 100 Chart placements for Bass / Club
Updated 2 hours ago
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#1
Feat. Staff Picks in Bass / Club
Liquidation
NS family New Jersey duo Equiss and Lekror Scopes finally making their long-awaited Night Slugs debut under their beloved OSSX alias. Widely celebrated for their ingenious sampling juxtapositions, in recent years their edits have become ubiquitous for DJs the world over. OSSX deliver 3 smooth cuts of classical Jersey Club that work perfectly as House music, engineered to perfection and inflected with the guys signature sense of humour & emotional intelligence.
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#4
Feat. Staff Picks in Bass / Club
GRITOS
BLEID returns to All Centre with an EP of full-throttle club stormers on ACEN068. The Lisbon-based artist delivers their first EP of the year after a busy 2024 with releases on Discos Extendes, Surf and Eterna, bringing three high tempo, dancefloor-ready tracks. TABEM launches straight into a tough, snare-driven groove. Propulsive drums, minute vocal chops and synth glitches swell into a percussive frenzy, before taking a left turn with a killer halftime switch-up. Next up, SEI LA brings the heat with a relentless speed dembow rhythm, underlined by a heavy sub bass line and syncopated vocal chops. Siren synths build up the intensity and the track brings a bouncy juke-inspired twist at the halfway point. TERROR does not let energy levels drop, with a heavy four to the flour groove and crashing snare drums. Syncopated percussion, crazed vocals and choppy synths swing wildly around the groove into a frenzy of dancefloor delirium. GRITOS is available across all digital platforms from April 18th.
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#6
Feat. Staff Picks in Bass / Club
A Deeper Blue
Echo Map and Azaleh present A Deeper Blue, a five-track EP that dives deep into the emotional and textural landscapes of electronic music. Seamlessly fusing intricate breaks, cinematic pads, and immersive low-end, the project offers a dynamic and evolving listening experience that lingers long after the final note. Crafted by two talented German producers, this EP distills years of experimentation and sonic refinement into a cohesive journey. Their meticulous production shines through every layer, from the organic, ever-shifting textures to the meticulously sculpted rhythms. Adding to the depth of the project is a collaboration with Diode Eins, the acclaimed German trio known for their contributions to techno and progressive house. The EPs visual identity is brought to life by Samuel Pietri, whose artwork mirrors the projects themes of depth and transformation. More than just a cover, it acts as an extension of the music, inviting listeners to fully immerse themselves in A Deeper Blues world. A Deeper Blue EP will be released on May, 14th across all major streaming platforms. For press inquiries, interviews, or additional materials, please contact maxime@wearestudio.fr
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#9
Feat. Staff Picks in Bass / Club
Emotion
Top Billin Music is Europes leading independent club music label, with music styles covering the whole spectrum of bass music. Founded in 2006 and with artists from each continent, Top Billin Music continuously pushes the boundaries of forward-thinking club music. -- Distributed by Label Engine - www.label-engine.com
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#10
Feat. Staff Picks in Bass / Club
Prego
Prego was also built around sessions recording live percussion in the woods behind Zos house, and again they sit atop an weighty yet bouncy 808 groove, but this time a recording from one of Sams old iphones of a traditional Chinese jam session in a park in Beijing ended up being worked into the breakdown, yet again proving that the only limitation to creating unique textures in your track is the battery level on your phone. Running everything through Bingas collection of hardware back in Bristol glued the whole track together, with techno icon Nastia being an early supporter. Distributed by Label Engine - www.label-engine.com
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#13
Feat. Staff Picks in Bass / Club
Bad Intention Riddim
UK & US production duo P Skinna & Liondub return after releasing 2 massive tracks with Busy Signal to present their first Dancehall juggling, the Bad Intention rhythm. The duo has received Radio support from David Rodigan and Rampage Sound on BBC 1Xtra, Ras Kwame on Capital Xtra, ZJ Liquid and Johnny Kool on Zip FM Jamaica, Killaboo [Addies] on Irie Jam radio, and Robbo Ranks on his syndicated dancehall show. Their new hard hitting bashment segment features artists from London, Bristol, Toronto, New York and Kingston, showcasing the duos production prowess and international music connects. The tracks range in style and offer up something for any avid listener of Dancehall music, each able to withstand the test of time and guaranteed to get radio and club support worldwide. London based Jamaican artist Steamaz delivers a raucous lyrical tirade on his track Bazzle. With an unmatched unique vocal flow, Steamz is positioned perfectly to top UK and JA charts with this one. UK Jungle Drum & Bass veteran MC Navigator steps up with a biting lyrical commentary and incredibly dynamic delivery on his track Stay Far. With a loyal fanbase worldwide, this one is guaranteed to see rotations. Dutty Rocks own Ras Ajai delivers something special for the ladies and the Top Gyalis on his cut. Oozing with dynamism, and authenticity ,Ajais Jamaican slang gets the job done right, and with ease. Legendary collabs with Smif & Wesson, Major Lazer & Snoop Lion, have kept Blakkamoore perpetually in high demand. His unmistakable singjay style demonstrates his power and versatility on Tek A Set, a brilliant single from this Guyanese giant. Super talented London Grime star Yung Saber goes hard on Pecknarm Badness, a story depicting life on the streets of what once was south-east Londons most dangerous neighborhoods. Badda General delivers the comedic goods once again with his signature deep vocal flow on this accusatory cut about his lady, and man like B.O.B aka Battery Operated Boyfriend. Bristols Blackout JA & Torontos Zantelly step up to get the paper on Hustle Hard. The artists superior lyrical flow, and the contrast between their voices, makes this a stand out cut reaching out to the go-getters and hustlers of the world. Rising Brooklyn based celebrity J Kinggz touches down on the riddim with a cool style and deadly delivery on Catch E Drip. Definitely one for the clubs, and the streets, Kinggz hits hard and further establishes himself as one to watch on the international dancehall circuit. US based Puerto Rican Reggae Dancehall sensation Capital D has performed at legendary Jamaican events like Reggae Sunsplash, Sumfest, and STING. Caliente steps up with No Time, a conscious song encouraging unity, strength and brotherhood, delivered in Caps signature raw sing jay style.
Liondub, P Skinna, Steamaz, Navigator, Ras Ajai, Blakkamoore, Yung Saber, BADDA GENERAL, Blackout Ja, zantelly, Jkinggz, Capital D
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#19
Feat. Staff Picks in Bass / Club
Ooh Sorbet
Ooh Sorbet started life as a sketch on Zos computer, and it was obvious that between the almost Todd Edwards-style vocal cut-up, and the irresistably swung 4/4 beat that this could be a big tune. With the addition of some found sounds recorded in the woods behind Zos house in upstate New York, and via a few sessions back in Bristol at Bingas Windowless Vault of Doom, this techno / garage anthem took final shape. Instant reactions from crowds around the world - both in our sets, and from Ben UFO - confirmed that both the wiggle and the bass combine exceedingly well here. Distributed by Label Engine - www.label-engine.com
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#28
Feat. Staff Picks in Bass / Club
Cut & Dried EP
DEXT Recordings is proud to present the debut EP from Hooverian Blur, a highly respected figure in the world of breakbeat and experimental bass. Following his remix of Mani Festos Borgg on DEXT, he now delivers a full-fledged exploration of his signature sound—razor-sharp breakbeat manipulation fused with deeply experimental, technoid influences. All four tracks on this EP pulse around 160bpm mark, but rather than adhering to convention, Hooverian Blur twists the tempo into new and uncharted territory. His precise breakbeat craftsmanship collides with dark, panic-inducing soundscapes, each track layered with heavy sub-bass and eerie atmospheres designed to disorient and captivate in equal measure. Futuristic synths and mechanical rhythms drive the energy forward, while cavernous bass frequencies add weight to every movement. Each track is a masterclass in controlled chaos—meticulously detailed, fiercely dynamic, and impossible to pin down. Hooverian Blurs debut EP on DEXT Recordings is a fearless statement from an artist constantly redefining the boundaries of breakbeat music.
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#46
Feat. Staff Picks in Bass / Club
Diferenciado
Narciso has been running parallel to most of his contemporaries, staying close to the main lane but researching in his own distinctive way. He takes pride in being free from limitations and conventions. To me, music doesnt follow fixed rules; it is a field for experimentation, where any sound can be transformed into something pleasing to the ear. Depending on what one considers pleasing, this is a pretty challenging set of tracks. The artist never loses the balance, though, mindful of a certain dance context in which this music thrives, but it is also that same context that is being constantly twisted and reshaped into other forms. Some of those provide fresh ground for others to follow; some are of such individuality that no one else dares disturbance; some quickly return to a safer way of communication. Diferenciado does communicate, but like words can be changed to sound different and still mean the same, such are music and sound with Narciso. Its not about alienation of the listener nor alienation of the self from the surrounding areas. I believe music is present in everything around us. And if anyone can say her/his/their music reflects vision, experience and perception, you know the end result is not often surprising or even that different from previous examples. Well, we stand by Diferenciado in its obvious distinctiveness, and if all the blurb so far may read like a nervous justification its just because of the excitement in helping put this out into the world. As a founding element of RS Produções, where Nuno Beats, DJ Lima, DJ Nulo and Farucox are also found, Narciso has been contributing to a spiritual and creative atmosphere that permeates the environs of Lisbon where that golden, inspired air has to fight for space with many kinds of instability. The beauty and drama of opening tracks Ziu Ziu and Cabelinho (this one with mate Farucox) should be able to touch any sensitive soul that appreciates the quirkiness often attached to pure expression. As in Pipipi too, for example, where melody and rhythm gently and moodily lead you into a brief but sudden interruption feeling like a change into another state of being. Do not shy away. Narciso steps up as himself, not as representative of whatever or whoever.
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#56
Feat. Staff Picks in Bass / Club
Aeoui
Sharpening his modernist, hybridised club sound with the restless energy hes made his name on, Breaka returns with Aeoui. Nodding to the vowel-only vocal samples he scatters throughout his tracks, this much-anticipated second album reaffirms Charlie Bakers reputation as a many-sided bass music innovator. Since 2019, Breaka has been primarily shaping his own destiny by self-releasing most of his music, and its afforded him the space to evolve his sound on his own terms. In the wake of his 2022 debut LP We Move, the consistently prolific producer had been looking for a fitting window to channel his work into a second full-length. The opportunity arose when he struck on a fit of jet-lagged inspiration in late 2023 and laid down two of the new albums key tunes, squashy track and yolo bass rewind. Jutting out at a distinct angle from his other work, Breaka knew hed found the anchor point around which to build out the next phase of his sonic evolution. This productive period also aligned with a new studio space to work in, leading to the albums striking double-dose opening of Aeoui and Are We There. With the flavour of his new album established, Breaka was able to comb back through his reams of existing ideas and find the remaining pieces that fit the emerging puzzle. There are enduring influences which bind together the Breaka sound — footwork, techno and dancehall continue to guide the infectious floor-ready pressure of the record, but he worked free of stylistic concerns to find a vibe that remained true to his independent spirit. Its clear the Breaka DNA reaches beyond purist club music — his roots as a jazz drummer from an early age guide the expressive flair in his beat programming, while he took a more direct influence from a mind-blowing Sons Of Kemet gig in 2022 to make psychedelic centre-piece Roundhouse. Elsewhere Cascara pays tribute to the Afro-Cuban rhythm of the same name, which he fused with amapianos lithe log drums and shakers, Brazilian percussion and edgy sound design to create a maverick soundsystem wrecker. The collision of organic and synthetic, crisp forms and chaotic energy are captured perfectly in the cover artwork created with Jordan Core. Its a savvy sum-up of where Breaka is at right now, continually building out with clear intentions while embracing the unpredictable energy of lived experiences and the ideas that get sparked along the way. Thats why Aeoui sounds like no one else out there but Breaka.
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#59
Feat. Staff Picks in Bass / Club
Acid Dub Studies III
Jim Coless fifth instalment of his best-selling Acid Dub Studies series arrives in the form of the third set of original works exploring the infectious sound of the 303 bass-line in a dubwise setting. The album takes in traditional dub mixing approaches in a digital and roots/digi-dub style whilst also making space for more electronic and ambient processes to close the project. Acid Dub Studies III arrives after 2 years of touring the material in a live setting at festivals and clubs including CTM at Berghain, Les Nuits Sonores, and Andrew Weatheralls Convenanza festival and is the culmination of some 5 years of experimenting with a style that has been met with critical acclaim, reaching far and wide into many a DJs box having been noted by some as a truly ground-breaking approach to working with the 303.
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#60
Feat. Staff Picks in Bass / Club
Maisha Ya Mtaani
Club Yeke Presents: Maisha Ya Mtaani by Jamaica Mnanda London-based label Club Yeke brings the raw, percussive energy of Dar es Salaams mchiriku to global ears with Jamaica Mnandas debut EP - Maisha Ya Mtaani. Hailing from Kinondoni, the group has spent over a decade performing on the streets of Tanzanias informal settlements, blending traditional chakacha rhythms with distorted Casio keyboards, driving percussion, and rap-like vocals. Rooted in the DIY ethos of mchirikua genre born in the 1990s when affordable keyboards reshaped Dars music sceneJamaica Mnandas songs tell vivid stories of street life, love, and struggle. Recorded at 41 Recordz studio, this EP captures the unfiltered sound of Dar es Salaam, amplified through the signature distortion of their horn-speaker setups. Feautured track Maisha ya Mtaani (Street Life) offers a gritty, honest look at the hustle of the citys working-class neighborhoods, blending infectious rhythms with heartfelt lyrics. Club Yekes latest release showcases mchiriku as a vibrant expression of Tanzanias urban culture, set to captivate listeners around the world.
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#75
Feat. Staff Picks in Bass / Club
Tokyo Ice Age
Our first release for 2025 is Tokyo Ice Age, a new EP from Prettybwoy. 5 warped club tracks, packaged with remixes from aya and Proc Fiskal, artwork by Tom Oliver and mastered by Raphael Valensi. An ice age is roughly a 100,000 year cycle that Earth has been repeating for at least 1 million years. I have been thinking about these cycles and the erasure/reset of life. When my grandmother died, I discovered lots of old photographs and handwritten documents, faded memories, a small window into my lineage. Ways of life, even since my birth, are changing at an increasing rate and many things are being lost or becoming extinct. The term Ice Age also relates to Japans Employment Ice Age, a period of time between mid 90s and 00s after the countrys Bubble Economy collapsed and young graduates and the many who lost their jobs were unable to find stable sources of income. The generation affected during these Lost Decades are referred to as the Lost Generation or Ice Age Generation. I am part of this generation.
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#76
Feat. Staff Picks in Bass / Club
Da Mind Of Traxman Vol.3
Anyone with a passing interest in footwork and juke will know of Traxman. Corky Strong has a long history of deep involvement in Chicago house, first releasing on the legendary Dance Mania label in the mid nineties, and since then splitting his productions between ghetto house, juke and footwork, releasing alongside Steve Poindexter and Fast Eddie and the late DJ Deeon and DJ Rashad, including an seemingly endless supply of self-released juke edits of whatever direction his deep knowledge of Black American music takes him. The third volume of Da Mind Of Traxman is his first since 2014. In the intervening years hes kept things rolling, DJing regularly, releasing lots of music, becoming a grandfather and being a mentor for younger artists coming up in the scene. This new album was crafted with the help of fellow Planet Mu artist Sinjin Hawke, who took on A&R duties to collate the best from hundreds of tracks dating back to 2005. Sinjin holds Traxmans status in high regard; This album series is important and holds real documentarian value—working on it feels like the modern equivalent of curating a piece of Miles Daviss catalog in the 60s and 70s. Volume 3 showcases Traxmans uncanny ability to take old music into the future without losing the feeling and energy of his samples and influences. He knows how to add a hi-definition modern chassis with the skill of someone who deeply and intuitively understands the craft of dance music. These are some of the purest, most innovative ideations of Chicago footwork.
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#83
Feat. Staff Picks in Bass / Club
Ecstatic Nostalgia
After a brief pause, Dekmantel are returning to their UFO series to present a cybernetic rush of non-conformist techno from Italian maverick Piezo. Anyone familiar with Dekmantels flagship festival will know the UFO stages showcase spikier strains of modernist body music, and the label series serves to push these sounds forwards in the hands of consistently visionary producers. Milan-based Piezo is usually found at the helm of his Ansia label, exploring a versatile spectrum of experimental club music grounded in soundsystem presence and non-linear structures. On Ecstatic Nostalgia he edges his sound into a more driving, techno-spirited framework which lends itself to the energy of the UFO series beautifully. From tightly wound, artfully fractured 150 rumble and elegant sci-fi breakbeat on to needlepoint electronica and subtly trance-brushed atmospherics, Piezos broad palette fuels an ear-snagging EP which balances visceral impact with a deft touch.
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#88
Feat. Staff Picks in Bass / Club
Wonda
re:lax HQ finishes off a stellar year with their third record of 2024 - WONDA. Following re:nis head spinning debut, Laksa comes with more arsenal for the club. Sampling iconic grime hype escalation, that energy is channeled into 3 UK soundsystem techno cuts. Razor synths, drum workouts, visceral bass-weight with vocal psychedelia, this is sonic exploration and experimentation with a FWD spirit. The record also sees Laksa delve into his first vocal collaboration, working with Nyege Nyege affiliated Phelimuncasi - all the way from South Africa. Club and Dubwise versions - take ur pick
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#91
Feat. Staff Picks in Bass / Club
Anti Doomscroll / Wasteland Dream
The enigmatic talent Yung.Raj is back with another genre-bending release on GutterFunk. Hailing from Hyderabad, India Yung.Raj is a talent that has to be taken in! The last release of the year of GF with artwork once again supplied by Osheen Siva, an artist that recently took over Shangri-la in Glastonbury for Daytimers.
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