Top 100 Chart placements for Multi Culti
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Auntie Flo finds a natural home for OUTERNATIONAL DANCE on Multi Culti Throughout his long career in music, Brian dSouza aka Auntie Flo has made a name for himself for his adventurous and open minded approach to music making. Travel and collaboration is key to his work, and over the course of four albums and various singles, hes showcased music made in Cuba, South Korea, Uganda, Brazil and more, often fusing long standing musical traditions, field recordings and artist collaborations with a modern production techniques. As Auntie Flo, he has bridged not only cultural gaps as a Scottish-Goan in hybrid genres like Afro-disco, Indian Classical and Dub-Techno, but recently crossed over into bioelectrical music, with his Plants Can Dance, Mushroom Music and full-blown ambient psychedelica all housed under his A State Of Flo label and Substack. Outernational Dance helps define this expansive sound with a set of tracks that brings dance culture back to nature, inspired by Esperanto, a form of universal language created by L. L. Zamenhof in 1887. The notion of music as the universal language has always been at the heart of Auntie Flos practise and makes this new EP a perfect fit for the boundary dissolving reverie of the Multi Culti ethos: pointing the way to a better world, borderless, free and in symbiosis with nature.
Multi Culti presents Darbuka King from duo Balout Krew & Laxfilet: a percussive blend of traditional Baladi rhythms with breakbeats (and a hint of acid). Aladin, a Palestinian artist shaped by the club scenes of Haifa and Ramallah, and Laxfilet, a hip-hop and lo-fi producer from Germanys Black Forest weave their experiences into music that bridges worlds, forging connection and aiming to provide a small measure of solace for listeners caught between cultures. Drawing from the celebratory spirit and tradition of West Bank wedding music, Darbuka King embodies a narrative of renewal, resilience and love.