Top 100 Chart placements for DGTL
Updated 7 months ago
Align Left/Right
Align Top/Down
What was initially crafted in a moment of vulnerability, Beswerdas Take Me portrays raw emotion, highlighting his frame of mind as he began its creation with a powerful and somewhat aggressive approach, and ultimately shifting to an uplifting atmosphere as his spirits rose throughout the tracks road to completion. Leaving little to the imagination, Beswerda eloquently translates lifes wide range of emotions into his music, giving his listeners a window into his most vulnerable moments.
DGTL Records returns with an exciting new release. Get ready for I Cant Forget, the latest track from Luke Garcia and Colossio, a collaboration that promises to deliver an unforgettable auditory experience. Luke Garcia, a Spanish DJ and producer, has been fascinated by electronic music and the club scene since childhood. Growing up in Madrid, he was immersed in a vibrant electronic music culture, ranging from Classic House to powerful Techno. In 2015, he debuted with Ritmo Extraterrestre on the French/German label Correspondant, gaining rapid support from the likes of Solomun, Dixon, and Haai, and launching a busy international touring schedule. Fernando Luna, known as Colossio, is a Mexican DJ and producer from Monterrey, Nuevo Leon. His diverse influences include krautrock, avant-rock, and Mexican folklore, all fused with electronic, analog, and digital genres. This versatility has led him to create several alter-egos to explore different musical landscapes. I Cant Forget was born from voice recordings that Luke Garcia captured on his phone and sent to Colossio. The duo then collaborated to create a fun and energetic track, with melodies inspired by moments of joy and happiness. The result is a track designed to dominate the dance floor, radiating pure euphoria.
Acidité is a track I produced during a very quick session in my Marseilles studio in late 2023. I think the idea was to produce dance tracks that would have a certain harshness to them and sound sort of unpolished. I realize that is what I end up liking the most when it comes to dance music - when it sounds as being straight out of the home studio, with very little means and maybe some « mistakes » left here and there for the sake of it. Acidité revolves around 3 main ingredients - a Behringer TD3 riff (the Behringer cheap reincarnation of the legendary TB303), a conga loop and an iconic JB funk stab sample. It segues midway into a more trancey and motoric tunnel like techno track, driven by a « lately bass » straight line.