Bordello A Parigi
Top 100 Chart placements for Bordello A Parigi
Updated 1 hour ago
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#7
Feat. Staff Picks in Indie Dance
Knights Of New Haven
Antoni Maiovvi is an artist like few others. Knights of New Haven summarises his unique ability and unparalleled range. This return to the Bordello reflects the influence of the West Coast Sound of the Netherlands as well as that machine music of his adopted home of the U.S. Later Not Lately bends bars above a throbbing kick, hi-hats ruffling the clean arcs of string. Echoes of Chicago and Detroit penetrate the EP. Melting melodies fold and oscillate under the crashing cymbals of Slack Blabbath, staggered synthlines jolted by tight percussion patterns. A brother-in-arms opens the flip, Danny Wolfers drafted in under his Legowelt moniker to turn his magic to Later Not Lately. Undulating undertones are sliced by serrated snares before a sordid TB303 is unsheathed, Wolfers soulful and squalid retelling of the original. The Madness in the Method closes. Fizzing static blurs drum patterns, a taut note piercing the dense bass fog. Teetering between the profound and the profane, Maiovvi pivots his horror disco trademark sound with driving house drums and devil-may-care grandeur. An EP of epic proportions.
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#27
Feat. Banner in Indie Dance
Pacifico
Pearz is the evocative project of Italian-born, LA-based multi-instrumentalist Francesco Perini. His debut album, Pacifico is the culmination of a five-year journey through the cities that shaped him: Florence, London, and Los Angeles. Drawing inspiration from a mix of disco, electro, nu-jazz, and Japanese City Pop, Pacifico, reflects his eclectic musical evolution. The title, Pacificomeaning peaceful or calm in Italianembodies the albums theme of the closing experience of his travels. The album features collaborations with a diverse range of artists, including Kuntessa (East Londons DIY queen), VANBASTEN (The voice of Romas suburbs) Natalie Findlay, Jules Apollinaire, Gimmy El Helou, David Bardon, Oscar Robertson, Ruari Meehan, Luca Landi, Fabio Ricciolo, Andrea Palombi and Jamie Allen.
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#27
Feat. New Releases in Indie Dance
Pacifico
Pearz is the evocative project of Italian-born, LA-based multi-instrumentalist Francesco Perini. His debut album, Pacifico is the culmination of a five-year journey through the cities that shaped him: Florence, London, and Los Angeles. Drawing inspiration from a mix of disco, electro, nu-jazz, and Japanese City Pop, Pacifico, reflects his eclectic musical evolution. The title, Pacificomeaning peaceful or calm in Italianembodies the albums theme of the closing experience of his travels. The album features collaborations with a diverse range of artists, including Kuntessa (East Londons DIY queen), VANBASTEN (The voice of Romas suburbs) Natalie Findlay, Jules Apollinaire, Gimmy El Helou, David Bardon, Oscar Robertson, Ruari Meehan, Luca Landi, Fabio Ricciolo, Andrea Palombi and Jamie Allen.
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#34
Feat. Staff Picks in Indie Dance
The Wanderer
Hot on the heels of A Promise In The Cold Night, LVCA returns to Bordello A Parigi with The Wanderer. Building on his diverse and unique style, genre cross-pollination sits at the heart of this four tracker. Renowned for his analogue live sets, LVCAs passion for the machine smoulders on this EP. Acid, electro and new beat are central tenets, with the synthesizer taking centre stage. A litany of influences is drawn upon. Crashing snares countered by bright bars, melodic swirls threatened by machined vocals, drum rolls and key stabs marking shifts of intent. Speaker cones conjure late night basements, darker shades churn and melt in the fog and strobe. And throughout, genres and styles converge. Chicago house thaws the frigid severity of wave, italo echoes offering a distant warmth against colder tones taking hold. A 12 that illustrates the dynamic depth and the vibrancy of a true talent.
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#45
Feat. Banner in Indie Dance
Anger Management
Music possesses an incredible ability to transform raw emotion into an expansive array of expression. Nackley knows this ideation well. Having spent years working behind the scenes as an agent, Bordellos latest discovery now steps fully into the spotlight with Anger Management, channeling the turbulence of transition into sound. Cathartic and charged compositions are at the heart of this four-track release. Acid-dipped keys are both delicate and direct in the driving highs of Return of the Gecko, a track pulsing with raw energy. The crueler side of the music industry isnt so much parodied here as it is dismissed entirelyNackley lets the music do the talking. Sublime Desolation is pure dancefloor dynamite, where synth sirens detonate and explosive rhythm commands movement. Been A Long Time arrives dripping in attitude. Breaks and a juddering bassline face off with a hustling 303 hook, harmonies weaving through deep sonic textures. A renewed confidence courses through the release as Nackley explores a range of styles, closing with the synth romance of Heartbreakeran addictive blend of keyboards, guitar strings, and enveloping vocals are the emotive ingredients of this tear-streaked work of 1980s-inspired joy. And joy is exactly what Anger Management deliversa healing triumph and a bold debut declaration from a rising talent.
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#45
Feat. New Releases in Indie Dance
Anger Management
Music possesses an incredible ability to transform raw emotion into an expansive array of expression. Nackley knows this ideation well. Having spent years working behind the scenes as an agent, Bordellos latest discovery now steps fully into the spotlight with Anger Management, channeling the turbulence of transition into sound. Cathartic and charged compositions are at the heart of this four-track release. Acid-dipped keys are both delicate and direct in the driving highs of Return of the Gecko, a track pulsing with raw energy. The crueler side of the music industry isnt so much parodied here as it is dismissed entirelyNackley lets the music do the talking. Sublime Desolation is pure dancefloor dynamite, where synth sirens detonate and explosive rhythm commands movement. Been A Long Time arrives dripping in attitude. Breaks and a juddering bassline face off with a hustling 303 hook, harmonies weaving through deep sonic textures. A renewed confidence courses through the release as Nackley explores a range of styles, closing with the synth romance of Heartbreakeran addictive blend of keyboards, guitar strings, and enveloping vocals are the emotive ingredients of this tear-streaked work of 1980s-inspired joy. And joy is exactly what Anger Management deliversa healing triumph and a bold debut declaration from a rising talent.
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#67
Feat. Staff Picks in Indie Dance
Lago Lungo
The multi-faceted and multi-talented Alberto Melloni returns once more to Bordello A Parigi to unveil his musical multi-verse. Lago Lungo, the title piece, sets the tone for the quartet of tracks. Steady kicks thud next fizzing hi-hats as a rich and full-bodied piano melody takes hold, Mellonis instrumentation creating sheer peaks and creamy amber plains. Promised Land offers a different audio topography. Key stabs are bolstered by incising beats as a late-night italo infused romp undulates from speaker cones. Underscoring the EP are influences from both disco and house, sun-kissed chords countered by textured percussion. These twin inspirations combine in the groove laden Paradise Pie. Clean notes are refracted in neon, undercurrents of acid lurking just below the vibrating hardwood floor. The mirrorball takes the limelight for the finale. Breathy, smokey vocals orbit funk dipped lines of Only You, warbling vocoders dancing under the glittering beams to the close.
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#93
Feat. Staff Picks in Indie Dance
All We Need
Fred Ventura and Rafal Lachmirowicz, aka Also Playable Mono, have teamed up, All We Need being the pairings audio vision of italo disco. Steady kicks and cascading cowbells pave the way for an infectious synthline before a vocoder-enveloped Ventura smoulders with a burning intensity. Bold chords and pulsating rhythms are at the robotic heart of System Breakdown On Wikileaks. Bombastic and brilliant, this electrified disco dreadnaught swings with the power of a wrecking ball; a power that only amplifies the tracks impacting message of our very civilisations future. Scaling notes spiral ever higher in the addictive groove of In The Night, A.P.Monos computerised words adopting the mantle of his machines. Circling samples introduce The News. Rhythms are clean and tight, snapping at the tails of soaring synthwork with Venturas smoky social commentary, coupled with the silken and sonorous Chelsea Muller, offering something better for us all.
